
Paris 1937: Worlds on Exhibition
Review A critical perspective which is both specifically original and consistent with recent studies of Universal Exhibitions and of the strategic design of the modern Museum.... Even those not entirely comfortable with the ramifications of the 'unseen gods' figured in the displays of the 1930s will learn much from the detailed analysis of those representations and their intersecting semiotics and ideologies.... It is not merely its 45 fascinating archival photographs which leave one with the sense of the 'visual command'... which the author himself brings to his subject. To look at 1937 through his eyes, and then across to Eiffel's negating panoptic tower, is to ensure that the view from the Trocadero will never be quite the same again. ―
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